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Take your comics and illustrations to the next level with the powerful art tools in Clip Studio Paint 1.8 Key Features Overcome ?interface overwhelm? with a practical breakdown of the Clip Studio interface Comprehensive guide on the Clip Studio Paint with detailed coverage of all the tools and concepts of designing comics Streamline your workflow to create faster and easier using Clip Studio's features Book Description Clip Studio Paint, the successor to Manga Studio, is used by over four million illustrators and comic creators around the world. This book will guide you through every step of learning this software, from system requirements and installation, all the way through to exporting your work for print or the web. Learn how to create new documents, customize tools to fit your working style, use ruler tools to create anything from straight lines to intricate backgrounds, add 3D elements, create comic panels using the specialized panel tools, utilize screentones and materials, add text and word balloons to your comics, create sound effects, easily flat and color your comics using reference layers, and bring your drawings to life using the animation features. By the end of this book, you will be able to navigate the Clip Studio Interface and program preferences, customize the various tools, and be able to create your own black-and-white and color illustrations and comics from start to finish. What you will learn Understand the differences between Clip Studio Paint Pro and EX Discover how to navigate and customize the user interface Creating custom tools that fit your unique style of illustration Using the ruler tools to create intricate perspective shots and complex symmetry Discover how to use 3D elements in your work Learn how to create lettering and word balloons to bring your comic stories to life Understand the process of digital art creation from pencils to inks to color Understand how to use the animation tools available in Clip Studio Paint Who this book is for If you are a beginning digital artist or are switching to Clip Studio from another graphics software, this book is for you. This book is excellent for those with no knowledge of digital art up to intermediate users looking to explore the unique features of Clip Studio Paint.

Computer drawing --- Themes, motives.

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L’œuvre et le temps, le temps à l’œuvre : le thème du Dossier de ce numéro 14 de matières, volontairement vaste, se traduit tout naturellement par des angles d’approche multiples. Dans cette optique sont interrogées l’extension de monuments, les formes paradoxales qu’adoptent les logements collectifs entre 1968 et 1973 ou encore la reproductibilité du modèle de l’«Unité d’habitation» de Le Corbusier. À ces déclinaisons du lien entre temps et œuvre s’ajoutent un cheminement autour de la durabilité de la pierre ainsi qu’une réflexion sur la réception critique d’un bâtiment. Ce numéro réunit des sujets variés : le chantier de l’église de l’Autoroute de Michelucci, le travail de l’artiste Isa Genzken, la genèse du livre sur le New Brutalism de Banham et une visite de Berlin a des temps différents. La section «Archives» explore les projets des architectes Paul Cottancin, Eduard Lanz et Erik Gunnar Asplund.

Architecture --- Architecture, Modern --- Architecture, Modern --- Philosophy. --- Themes, motives --- Themes, motives

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This book begins with the observation that contemporary artists have embraced and employed gravity as an immaterial readymade. Necessarily focusing on material practices – chiefly sculpture, installation, performance, and film – this discussion takes account of how and why artists have used gravity and explores the similarities between their work and the popular cultural forms of circus, vaudeville, burlesque, and film. Works by Rodney Graham, Stan Douglas, and Robert Smithson are mediated through ideas of Gnostic doubt, atomism, and new materialism. In other examples – by John Wood and Paul Harrison, Gordon Matta-Clark, Peter Fischli and David Weiss, Trisha Brown, and Bas Jan Ader – mass and momentum, falling objects, and falling bodies are examined in relation to architecture, sculpture, and dance. In performances, projects and events curated by Bruce Nauman, Santiago Sierra, and Catherine Yass, gravity is resisted in Sisyphean ordeals and death-defying stunts. This account of contemporary art and performance, read through the invisible membrane of gravity, exposes new and distinctive approaches to agency reduction, authorial doubt, and redemptive failure

Gravity in art. --- Art, Modern --- Themes, motives.

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Interior decoration. --- Jeffers, Jay --- Themes, motives.

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Ferrante, Elena --- Criticism and interpretation. --- Themes, motives. --- Criticism and interpretation --- Themes, motives --- Ferrante, Elena - Criticism and interpretation --- Ferrante, Elena - Themes, motives